Jonathan Novak has been an important source for contemporary American and European art since 1978. With a wide-ranging inventory consisting of paintings, drawings, sculpture, and prints, one may find significant examples by Milton Avery, John Baeder, Robert Bechtle, Fernando Botero, Alexander Calder, Joseph Cornell, Richard Diebenkorn, Jim Dine, Jean Dubuffet, Richard Estes, Sam Francis, Helen Frankenthaler, Ralph Goings, David Hockney, Roy Lichtenstein, Robert Motherwell, Mimmo Paladino, James Rosenquist, Ed Ruscha, Saul Steinberg, Frank Stella, Donald Sultan, Wayne Thiebaud, Andy Warhol, and Tom Wesselmann.
Jonathan has been an inveterate exhibitor at international art fairs in Chicago, Miami, Palm Beach, San Francisco, Los Angeles, and New York and is a member of the Private Art Dealers of America (PADA), the International Fine Print Dealers of America (IFPDA) as well as the Fine Art Dealers Association (FADA).
Jonathan Novak Contemporary Art is located in Century City, California, one-half mile west of the Beverly Hills Penninsula Hotel.
Ron DavisBiography of the Artist
Pinwheel, Diamond, and Stripe
Ronald Davis' paintings of the late sixties laid to rest the demand that important abstract painting not be illusionary. The illusionary and depicted deep space was inspired by the Renaissance perspective of Paolo Uccello and the perspective studies of Duchamp, as well as the galactic drips and splatters of Jackson Pollock, the striated canyons of Clyfford Still, and the push-pull of Hans Hoffman. His mastery of the language of color, perspective geometry, space, time, and his virtuoso paint handling lend to the work a profound poetry. Davis' work can convey extreme wit, sensitivity, and at the same time a no-holds-barred toughness. His paintings are a complex strata of paradoxes. They combine then new to painting technology with ferocious Jackson Pollock-like freedom, Renaissance perspective, and Piet Mondrian's balanced precision. Davis brought to reality the beginning of a new age of the painterly possibilities of post-Einsteinian concepts. Influences of Ronald Davis' splattered, geometric paintings of the middle and late sixties can be seen everywhere in today's art world. Davis has been exhibiting his work since 1963 and has had a total of 65 one-man shows in major galleries and museums all over the world. His work has appeared in countless major group exhibitions, and his paintings are in important museums and private collections all around the world. Biography Ron Davis (1937 - ) Ronald Davis was born in Santa Monica, California on June 29, 1937. Raised in Cheyenne, Wyoming. Student at the University of Wyoming in 1955-56. Worked as a sheet metal mechanic 1957-59. Found his calling as a painter in 1959 at the age of 22. Studied painting at the San Francisco Art Institute, 1960-64. Started painting as an abstract expressionist, the influences and elements of which would be incorporated into many of his future paintings. Yale-Norfolk Summer School of Music and Art grantee, 1962. In 1963 began to paint in a hard edge, geometric, optical style. Began showing his paintings at museums and galleries in 1964. Moved to Los Angeles. First one-man show at the Nicholas Wilder Gallery, LA in 1965. Made geometric shaped illusionistic paintings using colored polyester resins and fiberglass from 1966 until 1972. Instructor, University of California, Irvine, 1966. First one-man show in New York at the Tibor de Nagy Gallery in 1966 followed by a solo show at Leo Castelli in 1968. Paintings acquired by the Museum of Modern Art, the Tate Gallery, London, the Los Angeles County Museum of Art, San Francisco Museum of Art, and the Chicago Art Institute in 1968. National Endowment for the Arts grantee, 1968. Purchased a Buchla synthesizer and began sound sculpture and electronic music composition. In 1972 built a 5000 square foot studio/residence in Malibu, California. Collaborated in its design with architect Frank Gehry. This ground-breaking design went far in launching Gehry's career as a "Post-Modernist" Learned silkscreening, lithography, etching, and papermaking from Ken Tyler at Gemini, G. E. L. and Tyler Graphics, Bedford, New York. Returned to acrylic paint on canvas in 1973. In 1975-78 painted the large scale, geometric, and illusionistic Snapline Series. Painted Floater Series 1978-79; Flatland Series, 1980-81; Object Paintings, 1982; Music Series of abstract expressionist paintings in 1983-85; Freeway and Freeline Series 1987; Spiral Series 1988. Began designing paintings on Macintosh computers in 1988 using VIDI'S 3-D rendering and animation programs VIDI's Modeler and Presenter 3D. Continued intensive involvement with the Macintosh using it as his primary sketching and drawing tool. Traveled to Taos, NM in 1990 and purchased a 10 acre lot north of Taos on the Hondo Mesa. Began building a complex of six living and studio buildings, the designs based upon the Navajo dwelling hogan, collaborating with architect Dennis Holloway and anthropologist Charley Cambridge. Discovered the relationship between the Hogan corbeled dome and prior work. Built a number of Hogan Frame Spirit House log sculptures and showed the 18' diameter X 12' high octagon Hondo Hogan in Los Angeles in 1991. Sold Malibu studio and permanently moved to Arroyo Hondo, NM in 1993. Began painting again in 1995, using the encaustic (wax) medium on wood to create illusionistic shaped compositions. In January, 1998 showed "Wax Series" at Jaquelin Loyd Contemporary in Taos. Built a 1,600-square-foot storage and display facility in 1999-2000 and liberated hundreds of archived paintings from commercial storage. Purchased cutting-edge 3-D programs Form•Z and Cinema 4D as a result of an ongoing fascination with three-dimensional computer modeling software, and spent a year learning new techniques. In summer 2000, completed "Digital Painting" series, a set of sixteen original giclée computer prints (some of which were created as early as 1993 in the earlier 3-D program Presenter Pro), working closely on production with Digital Color Imaging, Akron, Ohio. On October 1, 2001, began an unusual new series, breaking out of his thirty-year "perspective grid" for which he is widely known. Turned sixty-five years of age in June 2002. Spent over a year creating more than sixty-five new paintings using expanded PVC plastic and Golden Acrylics, culminating in three exhibitions in summer 2002. Nine paintings from the new series were shown in August, 2002 in the exhibition Ronald Davis: Recent Abstractions at Philip Bareiss Fine Art, Taos; twenty-four were exhibited in a show by the same name in September 2002 at the Victoria Meyhren Gallery, University of Denver School of Art and Art History, Denver, Colorado. "Rectilinear Open Box," one of the first of the new series, was acquired by The Harwood Museum Foundation of Taos in November 2001. In a broader survey exhibition entitled "Ronald Davis: Forty Years of Abstraction," a total of forty paintings, sculpture, and prints spanning four decades – including the new 2001-2002 paintings and a selection of older works in various media – was shown at the Butler Institute of American Art, Youngstown, Ohio in October and November 2002. Collaborated in summer 2002 on design and pre-production of full-color 32-page printed catalog accompanying the exhibition. Full set of "Digital Painting" giclée prints acquired by the Butler Institute prior to the survey exhibiton, as well as a major painting, "Five-Panel Wave," and two 1972 Gemini G.E.L. "Still Life" silkscreens in December 2002. Ronald Davis continues to live, work, and pursue his calling on the Hondo Mesa, New Mexico.